Skip to main content

Covering My World In Crochet

Crochet is my life; crochet is my world. I want to see crochet everywhere, so I started covering thngs in crochet! Rocks are my current favorite to cover. Artists who use crochet as their medium are my passion and years and years ago, I was inspired by fiber artist, Claire Zeisler in a photo of her covered rocks in Fiberarts Magazine.

My latest creations are here at the top. To see my first covered rock, inspired by Claire Zeisler, see below. It is a little worse for the wear and probably 15 years old! To see other things I've covered as "yarn-bombing," go to the post: "Hooka, Please"



The Rocky Shores of Maine, Northern IL Chapter Challenge, "Summer", 2009



Rock for Alan, 2008
Hard As A Rock


Hard As A Rock for the Nipple Project, 2008


Rock Garden, front (R) and back (L),2008



Heartrock Hotel(2006): Northern IL Chapter Challenge, "Heart," 2008, 3rd place; 1st Place Art Category, CGOA, 2009





Rocky Trio, 2008








Mossy Zen Rock Garden in Kooky Crochet by Lark Books, 2007





Rock painted by Bethany in 2nd grade, 1988, and embellished with crochet in 2007


Rock for Nicole, 2007





Love Rocks, 2004



Covered rock paperweight, white thread; inspired by Claire Zeisler

Comments

Popular posts from this blog

Craft vs. Fine Art: How is Crochet Blurring the Lines

I was awakening to the world of crochet in 1972,a time of immense artistic expression through fiber arts; and crochet was not the “ugly stepchild” at the time. In fact, Ferne Cone Gellar who I admire as a successful fiber artist said in “Knitting: The Stepchild of the Fiber Arts?” ( Fibercraft Newsletter 1978), “Has knitting been slighted among the areas of the fiber arts? The very word ‘knitting’ evokes images of the little old lady in tennis shoes. Over the years, I’ve learned to ignore all those jokes.” Cone Gellar went on to publish Crazy Crocheting in 1981 and encouraged her readers to create more than bedspreads, providing ideas such as “things to play with or to display on a shelf or hang on a wall.” A photo of single crochet from bread wrappers served as inspiration.  In 1972 in her book, Creating Art from Fibers & Fabrics , Dona Meilach wrote: “Why are fibers and fabrics becoming increasingly appealing to artists? Most artists agree

Wartime Crochet With Attitude, Part I

Wednesday, October 30, 2013 Karen Ballard and I have a mutual love of free form crochet. We met for the first time in a class taught by Prudence Mapstone of Australia at the Chain Link Crochet Conference 2011. I admire Karen's vast knowledge of needle work history and am grateful for her willingness to share with us as my guest blogger this week. Karen wearing a World War II-era knitting hat with stubby needles on top Karen's Heritage Heart,  with flowers symbolic of her heritage, is currently on tour with Prudence Mapstone's traveling "Hearts & Flowers Exhibition" in Australia and New Zealand   World War 1 Attitudes About Crochet by Karen Ballard In 2008, I coined that term, "Workbasket Campaigns" to describe the organized efforts during World War I (WWI) and World War II (WWII) coordinated through the American Red Cross {ARC} and the Navy League to create needle crafted items.  These items were mostly knitted but also sewn, qu

Crochet and Society: How Crochet has Contributed

Wednesday, September 4, 2013 Because I am passionate about crochet and because it plays such an important role in my life. I am constantly “thinking crochet.” I want to bring awareness about crochet to everyone in the world. They don’t necessarily need to achieve the level of passion that I have for the craft, but my dream is that our society in general would come to recognize crochet as a valuable art and craft.  I also want to see the entire genre of crochet planted firmly on a continuum with all the other needle arts as a valuable pastime and art, and for the day to come when society stops confusing it with knitting! I have often joked that I am “covering my world in crochet” and that’s because I think crochet can beautify nature as well as contribute to many aspects of my community. I have been covering rocks for years and I turn them into sculptures or decorative o bjects. Claire Zeisler:  Fragments & Dashes , Threads magazine, Oct/Nov 1985 My first cover